Eero Tarasti: "The Emancipation of the Sign: On the Corporeal and Gestural Meanings in Music" (11/11)
190

Bibliography



HATTEN, Robert S. (1994) Musical Meaning in Beethoven. Markedness, Correlation, and Interpretation. Bloomington: Indiana University Press.

MEAD, George Herbert (1967/1934) Mind, Self, & Society from the Standpoint of a Social Behaviorist. Chicago, London: The University of Chicago Press.

MERLEAU-PONTY, Maurice (1945) Phénoménologie de la perception.Paris: Gallimard.

MONELLE, Raymond (1992) Linguistics and Semiotics in Music. Contemporary Music Studies, vol. 5, Chur [Switzerland]: Harwood Academic Publishers.

MAKELA, Tomi (1989) Virtuosität und Werkcharacter. Zur Virtuosität in den Klavierkonzerten der Hochromantik. Berliner Musikwissenschafltiche Arbeiten 37. München-Salzburg: Musikverlag Emil Katzbichler.

SOLIE, Ruth A., ed.(1993) Musicology and Difference. Gender and Sexuality in Music Scholarship. Berkeley, Los Angeles, London: University of California Press.

TARASTI, Eero (1994) A Theory of Musical Semiotics. Bloomington: Indiana University Press.

TARUSKIN, Richard (1997) Defining Russia Musically. Historical and Hermeneutical Essays. Princeton, New Jersey: Princeton University Press.

WEINER, Marc A. (1997) Richard Wagner and the Anti-Semitic Imagination. Lincoln and London: University of Nebraska Press.






Page - 1     Page + 1


AS/SA Nº4, Article 1 : Page 11 / 11


© 1997 by AS/SA

E-mail to the editors
Pour écrire à la rédaction

21.12.1997