Page - 1
Page + 1 AS/SA Nº4, Article 4 : Page 17 / 17
|
BEER, Gillian (1983). Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Ark BROWN, David (1991). Tchaikovsky: A Biographical and Critical Study. Vol. 4: The Final Years (1885-1893). London: Gollancz. CHUA, Daniel (1995). The "Galitzin" Quartets of Beethoren: opp. 127, 132, 130. Princeton: Princeton University Press. CONE, Edward T. (1974). The Composer's Voice. Berkeley: University of California Press. DALDRY, Graham (1987). Charles Dickens and the Form of the Novel. London: Croom Helm. ECO, Umberto (1976). A Theory of Semiotics. Bloomington: Indiana University Press. GILBERT, Katharine Everett and Helmut KUHN (1972/1939). A History of Esthetics. New York: Dover. LEAVIS, F.R. (1972 [1948]). The Great Tradition. Harmondsworth: Penguin. MITCHELL, Donald (1975). Gustav Mahler: the Wunderhorn Years, Chronicles and Commentaries. Berkeley: University of California Press. PRITCHARD, T.C.L. (1946). "The Schubert Idiom", in G. Abraham (ed.), Schubert: A Symposium. London: Lindsay Drummond, pp. 238-257. RADCLIFFE, Philip (1960). "Germany and Austria", in D. Stevens (ed.), A History of Song. London: Hutchinson, pp. 228-264. RIFFATERRE, Michael (1983). Text Production, translated by Teresa Lyons. New York: Columbia University Press. RIFFATERRE, Michael (1990). Fictional Truth. Baltimore: Johns Hopkins University Press. TARASTI, Eero (1994). A Theory of Musical Semiotics. Bloomington: Indiana University Press. TODOROV, Tzvetan (1990). Genres in Discourse, translated by Catherine Porter. Cambridge: Cambridge University Press. ZAJACZKOWSKI, Henry (1987). Tchaikovsky's Musical Style. Ann Arbor: UMI Research Press
|
Page + 1