Raymond MONELLE: "Musical uniqueness as a function of the text" (17/17)



BEER, Gillian (1983). Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction. London: Ark

BROWN, David (1991). Tchaikovsky: A Biographical and Critical Study. Vol. 4: The Final Years (1885-1893). London: Gollancz.

CHUA, Daniel (1995). The "Galitzin" Quartets of Beethoren: opp. 127, 132, 130. Princeton: Princeton University Press.

CONE, Edward T. (1974). The Composer's Voice. Berkeley: University of California Press.

DALDRY, Graham (1987). Charles Dickens and the Form of the Novel. London: Croom Helm.

ECO, Umberto (1976). A Theory of Semiotics. Bloomington: Indiana University Press.

GILBERT, Katharine Everett and Helmut KUHN (1972/1939). A History of Esthetics. New York: Dover.

LEAVIS, F.R. (1972 [1948]). The Great Tradition. Harmondsworth: Penguin.

MITCHELL, Donald (1975). Gustav Mahler: the Wunderhorn Years, Chronicles and Commentaries. Berkeley: University of California Press.

PRITCHARD, T.C.L. (1946). "The Schubert Idiom", in G. Abraham (ed.), Schubert: A Symposium. London: Lindsay Drummond, pp. 238-257.

RADCLIFFE, Philip (1960). "Germany and Austria", in D. Stevens (ed.), A History of Song. London: Hutchinson, pp. 228-264.

RIFFATERRE, Michael (1983). Text Production, translated by Teresa Lyons. New York: Columbia University Press.

RIFFATERRE, Michael (1990). Fictional Truth. Baltimore: Johns Hopkins University Press.

TARASTI, Eero (1994). A Theory of Musical Semiotics. Bloomington: Indiana University Press.

TODOROV, Tzvetan (1990). Genres in Discourse, translated by Catherine Porter. Cambridge: Cambridge University Press.

ZAJACZKOWSKI, Henry (1987). Tchaikovsky's Musical Style. Ann Arbor: UMI Research Press

Page - 1     Page + 1

AS/SA Nº4, Article 4 : Page 17 / 17

© 1997 by AS/SA

E-mail to the editors
Pour écrire à la rédaction