Bernard Zelechow: "The Formalist Film-Maker with a Subtext"



Je,tu,il,elle. Written and directed by Chantel Akerman, with Niels Arestrup and Claire Wanthion. Co-prod. France and Belgium (Paradise Films), World Artists, 1974.

Les rendez-vous d'Anna. Written and directed by Chantel Akerman, with Jean-Pierre Cassel and Aurore Clément. Co-prod. France, Belgium, Germany (Helene Films Unité Trois; Paradise Films: Z.D.F), World Artist (1988), 1978.

Window Shopping (also know as the Wonderful 80's). Dir. Chantel Akerman. Written by Chantel Akerman and Leora Barish, with Myriam Boyer and John Berry. Co-prod. France (Ministre de la culture française) and Belgium (Communauté française de Belgique), World Artists, 1986.

Un divan a New York (A Couch in New York). Dir. Chantel Akerman. Written by: Chantel Akerman & Jean- Louis Benoît; with Juliette Binoche and William Hurt. Co-prod. France, Belgium and Germany (Union générale cinématographique); PolyGram Filmed Entertainment, 1996.


Calvet, Louis-Jean (1994). Roland Barthes: A Biography. Bloomington: Indiana University Press.

Fosse, Francois (1997). The History of French Structuralism, two volumes, translated by D. Glassman, Minneapolis: University of Minnesota Press

Zelechow, Bernard and Georges Perec (1997): The Sign of the Void. ISSEI Utrecht, CD-ROM.

_________ (1997b) "Is There a New Derrida?" European Legacy, Special Issue, vol 2 # 1, p.50-57.

_________ (1998) Aesthetic Formalism: Repression and Post Holocaust Writing: A Moment in French Culture. Jewish Studies.

_________ (in press) Michel Tournier: Falling for the Fall. ISSEI, CD ROM.

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AS/SA Nº 8, Article 4 : Page 8 / 8

© 1999, Applied Semiotics / Sémiotique appliquée

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