Works Cited


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Barkan, Leonard (1975). Nature's Work of Art: The Human Body as Image of the World. New Haven: Yale UP.

Burton, Robert (1927). The Anatomy of Melancholy. Ed. Floyd Dell and Paul Jordan-Smith. New York: Tudor Publishing Co., 1927.

Donne, John (1968). The Complete Poetry of John Donne. Ed. John T. Shawcross. New York: New York UP.

^__________ (1967). John Donne's Sermons on the Psalms & Gospels with a Selection of Prayers and Meditations. Ed. Evelyn M. Simpson. Berkeley: UC Press.

Gandelman, Claude (1984). "The Poem as Map: John Donne and the 'Anthropomorphic Landscape' Tradition." Arcadia: Zeitschrift für Vergleichende Literaturwissenschaft 19, 244-51.

^__________ (1991). Reading Pictures, Viewing Texts. Bloomington: Indiana University Press.

Hemingway, Ernest (1943). For Whom the Bell Tolls. 1940; rpt. New York: Charles Scribner.

Kawasaki, Toshihiko (1971). "Donne's Microcosm." Seventeenth-Century Imagery: Essays on Uses of Figurative Language from Donne to Farquhar. Ed. Earl Miner. Berkeley: UofC Press, 25-43.

Norford, Don Parry (1977). "Microcosm and Macrocosm in Seventeenth-Century Literature." Journal of the History of Ideas 38, 409-28.

Shami, Jeanne (1987). "John Donne: Geography as Metaphor." Geography and Literature: A Meeting of the Disciplines. Ed. William E. Mallory & Paul Simpson Housley. Syracuse: Syracuse Univ. Press, 161-67.

Sharp, Robert L (1954). "Donne's 'Good-Morrow' and Cordiform Maps." Modern Language Notes 69, 493-95.